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Vendetta for the Daughter She Rejected
Vendetta for the Daughter She Rejected

Vendetta for the Daughter She Rejected

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/ 10
In the chilling mafia novel Vendetta for the Daughter She Rejected, a mother swears a blood vendetta for a ruined corpse, unaware it is her own rejected daughter. Experience a dark modern mystery story of horror and ghostly vengeance as a spirit watches her family hunt her killer.

Vendetta for the Daughter She Rejected Summary

Betrayed on her birthday, a Falcone daughter is brutally murdered and left in a lawless dead zone. Before dying, her desperate pleas were coldly dismissed by her mother, the Donna. Now, existing as a spirit, she watches in the shadows as her mother weeps over her unrecognizable corpse. Stirred by the gruesome crime, the Donna swears a blood vendetta against the killer, entirely unaware that the ruined body on the table belongs to the very daughter she despised.
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Chapter 1 of Vendetta for the Daughter She Rejected

On the day one of Rocco's men held me down in the dark and ruined the face my father used to cup between his hands, my mother was standing in the ballroom of our estate, watching Serena Vitale take her place at the head of the Falcone table.

It was, and the irony has never stopped burning in whatever is left of me, my birthday.

Dying, I did the only thing a Falcone daughter is ever taught to do when the world closes in. I reached for family. I sent my mother a message begging her to come, a whisper of terror pressed into a phone with hands that had already stopped being mine. She sent back a single line, cold as the marble under my cheek: Stop staging these little dramas for attention. You've never once fooled me.

That same night, word reached the Family that a woman's body had turned up on the westside, in the no-man's-land where we send those who need to disappear. The Donna herself was summoned to look at it.

The body was beyond knowing. The face was gone. The limbs had been broken and turned in ways a body is not meant to turn.

For three days and three nights, my mother bent over what was left of me in the back room where the Family keeps its dead, and she read the story written in ruined flesh the way only she can read it. She understood that the woman on that steel table had been used, degraded, made to suffer past the edge of what despair can hold, and then let die alone.

And she cursed the animal who had done it. I heard her. I stood in the corner where the living cannot look and I heard the Donna of the Falcone Family swear vendetta over my corpse.

What she did not know, what she could not let herself see, was that the ruined woman on the table was me. The daughter she despised.

They found my body three days after they took it from me, buried in a heap of rot behind the market stalls in the dead zone, the stretch of the city no family claims and no law visits.

The smell had turned so foul that a starving dog, nosing through the garbage for something to eat, began to bark and would not stop.

……

One of the men who walks that border for us, half watchman and half ghost, followed the noise and found what the dog had found. A disfigured thing that had once been a girl.

The Family moved fast, the way it always does when the blood spilled might be its own. A vendetta-inquiry was raised before dawn, and it was placed, as everything of weight in this house is placed, in the hands of my mother. Vittoria Falcone. The Donna.

When she arrived at the killing ground, she wore the face of a woman interrupted, irritation held tight beneath the stillness. Her soldiers, who knew she had taken the day for family, lowered their eyes and offered their apologies in the careful, hushed way men speak to her. "Donna. We know you set this day aside for your daughter's coming into the Family. We would not have called you for anything small. But this one is big, and there is no one who reads the dead the way you do."

Something in her softened, just barely, at your daughter. She did not correct them. She let them go on believing the ceremony had been mine. It had not. She had spent the day watching Serena Vitale, my cousin, the borrowed daughter taken in on a dead woman's dying word, step into the light of the Falcone name as though she had been born to it. To my mother, Serena was blood. Serena was hers. I was the thing that came before.

She said nothing to unbend their mistake. She stepped past them toward the body.

For all her years, for all the corpses she had catalogued and all the killers she had run to ground, the Donna looked pale here, in the reek and the cold, her jaw set with a gravity her men rarely saw. She crouched over what the dead zone had given back, and she studied the wounds with the terrible patience that has made grown made men afraid to breathe in her presence.

My hand rose to my throat, to the silver chain my father had fastened there himself, the one he'd had engraved before they lowered him into the ground. There was no chain now. There was no throat. There was only the reaching, the old reflex of a girl who reached for that necklace every time the grief grew past bearing. I reached, and found nothing, and still I reached.

"She went through hell before the end," my mother murmured, tracing the ruin with her eyes. "Whoever did this took his time."

She did not know she was looking at me. And I could not tell her. I could only stand in the corner where the living do not look, and watch the woman who hated me swear to avenge a daughter she had already thrown away.

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