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My Husband's Mistress Killed Our Bab,Then I Walked Away with My Real Family
My Husband's Mistress Killed Our Bab,Then I Walked Away with My Real Family

My Husband's Mistress Killed Our Bab,Then I Walked Away with My Real Family

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In the mafia romance books hit My Husband's Mistress Killed Our Bab,Then I Walked Away with My Real Family, Bianca Bellandi is publicly humiliated when her husband, Dante DeLuca, douses her in wine to defend his mistress. Instead of reacting, Bianca walks away with chilling composure.

My Husband's Mistress Killed Our Bab,Then I Walked Away with My Real Family Summary

At a high-society charity banquet, Dante DeLuca publicly humiliates his wife, Bianca Bellandi, by throwing red wine in her face to protect his mistress. Accused of picking fights like a classless shrew, Bianca becomes the center of attention for a crowd of mafia elites eager for a dramatic breakdown. But instead of delivering the expected tears and outrage, Bianca maintains her composure. Staring at her ruined ivory silk dress, she calmly walks away, refusing to give them the show they desire.
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Chapter 1 of My Husband's Mistress Killed Our Bab,Then I Walked Away with My Real Family

At the Church fundraiser banquet, Dante DeLuca threw red wine in my face to defend his favored kept woman.

"Bianca Bellandi, what's the point of deliberately body-checking a young woman?"

"Stop acting like some classless shrew who does nothing all day but pick fights."

The guests were well accustomed to spectacle in this world. Capos' wives, associates' daughters, silent partners draped in borrowed diamonds. They settled into their chairs with thin, knowing smiles, waiting for me to scream and flip tables and sob. That was what a disgraced bride did. That was the show they had come for, the only entertainment that cost nothing in a room where every other pleasure had a ledger line.

This time, they were disappointed.

I didn't cry. I didn't make a scene.

I glanced down at the stain spreading across my chest, the deep burgundy soaking through ivory silk like a wound opening in slow motion. The fabric clung and darkened, and for a strange, suspended moment all I could hear was the faint drip of wine hitting marble. Then I turned with composure and said:

"My dress is ruined. I'll go change."

——

Dante caught my arm as I turned, and he didn't hold back. His grip was the grip of a man who bent steel and broke bones and signed death warrants before breakfast, and he used every ounce of it on the soft underside of my wrist. I stumbled, nearly fell. A red welt swelled around my wrist before I had even righted myself, the pain arriving half a second after the shock, blooming hot and precise beneath his fingers.

"Bianca, I made myself perfectly clear. Do not go after her."

His voice was quiet the way a loaded gun is quiet. Three soldiers flanking the perimeter shifted their weight, not toward him but toward me, reading the room the way trained dogs read a handler's posture.

Before, whenever he took Serafina Carbone's side and accused me of things I hadn't done, I'd go red-eyed and desperate, defending myself until my voice broke. I would plead my innocence in front of capos and consiglieri and house guards who looked through me like I was glass. I would explain, and explain again, and the explaining only ever made him colder.

But now my voice came out eerily calm:

"It won't happen again."

He tilted his head to light a cigarette, the gold lighter catching the chandelier's glow in a brief, hard flash. Those striking eyes swept over me without a trace of belief. Dark eyes, the color of espresso left to cool in a cup no one wanted, and just as bitter. They moved across my wine-stained dress, my swelling wrist, my too-steady face, and dismissed all of it in a single pass.

Fair enough. Just last week, I'd found a torn stocking stuffed inside his suit jacket and trashed half the house. Shattered a decanter of thirty-year Barolo against the study wall while his soldiers stood in the corridor pretending to hear nothing.

He signaled a soldier to bring over the antique crystal shoes he'd just won at auction. The man moved fast, box held out at arm's length, the way you present something to a Don and stay out of the blast radius at the same time. The shoes caught the light like crushed ice, beautiful and absurd.

Dante exhaled smoke in my direction, letting it curl between us like a veil:

"Get on your knees and put them on Serafina."

The soldiers around us reached for their stun guns out of habit. Hands drifting to holsters, postures squaring. Ready to drop me like a dog and tase me until I lost bladder control the moment I snapped. They had done it before. Not the tasing, but the readiness, the coordinated lean forward that said, We remember what happened last time. I could feel their anticipation like a change in air pressure.

But I took everyone by surprise. I stepped forward and accepted the shoe box.

My thumb drifted to the pale band on my ring finger, the bare skin where my wedding ring used to sit, and I pressed down once, hard, until the ache in my hand steadied the tremor in my chest. Then I let go.

Expressionless, I walked back into the banquet hall, past tables of silent men who controlled docks and unions and judges, past their wives who had learned decades ago never to flinch at the wrong moment. I sank to both knees on the cold marble and changed Serafina's shoes for her. The crystal was lighter than it looked. Her foot was warm and smelled faintly of gardenia perfume, and I handled it the way a servant handles a relic, with blank, mechanical care.

Then I wished her well:

"May every step take you higher."

Watching me this obedient, Dante let out a contemptuous laugh. It was barely a sound, more a breath forced through his teeth, but in the acoustics of that vaulted hall it carried the way a gunshot carries across water.

"Bianca, if you'd been this well-behaved from the start, I wouldn't have needed you begging like a whore three or four times over. I would've come home to you tonight."

The words had barely left his mouth when Serafina knocked over a candle on the table.

The moment hot wax hit the girl's calf and she whimpered, eyes welling, Dante shoved me aside. My dress caught fire where the candle's flame kissed the wine-soaked silk. The heat was instant, intimate, blooming across my lower back like a hand pressing down. I smelled my own fabric burning before I felt the pain.

He dropped to one knee, pouring water over Serafina's burn, barking at his people to call an ambulance. His voice filled the room the way only a Don's voice could, not louder than anyone else's but somehow the only sound that mattered, cutting through crystal and conversation and the rising murmur of alarm. Soldiers moved. Phones appeared. The attending capos stepped back to give him room without being told, a choreography of deference so practiced it looked rehearsed.

When the ambulance arrived at the estate's private clinic entrance, he lifted Serafina onto the stretcher himself and ordered them to leave immediately.

"But sir, the woman behind you has severe burns on her back. In this heat, if the wound isn't treated soon, I'm afraid..."

He barely glanced at me, voice flat with indifference:

"She's tough as leather. She takes an ounce of pain and performs a pound of suffering."

The paramedic opened his mouth to argue, but I used every last scrap of strength to stand upright. The burned skin along my spine screamed with every micro-movement, each breath pulling the ruined silk against raw tissue. Face blank, I shut the ambulance doors for Serafina myself. My fingers left a faint, damp print on the handle. No one noticed.

An hour later, I had just walked out of the emergency room of a public hospital three blocks from the waterfront, my back dressed in gauze and chemical cold, when Dante called.

His tone was cold, clipped, accusatory:

"Why didn't you come to the Family clinic?"

I didn't take the bait. I only said:

"If you need me to sincerely apologize to Ms. Carbone for what happened tonight, I can record a video right now, on my knees, kowtowing, saying sorry a thousand times, and have the front-facing respectability team push it to every platform."

On my birthday, Serafina had destroyed a painting left to me by my mother. The only thing I had carried out of my father's house when the alliance was sealed and I was delivered to the DeLuca estate in white. I lost it on the spot and slapped her once.

Dante ordered me, in front of everyone, to slap myself a hundred times and hand-write a ten-thousand-word letter of contrition to be posted online. Capos watched. Soldiers watched. The house staff watched from doorways. I did it. Every strike, every word. My handwriting grew shaky around the four-thousand-word mark and didn't recover.

So apologizing to Serafina was something I could do in my sleep.

I'm not sure which part of what I said struck wrong, but on the other end of the line, Dante went inexplicably quiet. No breath, no shift of fabric, no clink of glass. Just the dense, loaded silence of a man who controlled a vast laundering and smuggling empire going completely still, and in that stillness I could almost see the dark rosary bead between his thumb and forefinger frozen mid-turn.

In the end, he told me to send my location and wait for him to come.

I waited in that freezing corridor for two hours. The fluorescent lights buzzed with a faint, insectile hum. A janitor mopped around me twice without making eye contact. My thumb found the pale band on my ring finger again, rubbing the bare skin in slow, unconscious circles until the friction warmed the spot where gold used to sit.

All that came was three videos from Serafina.

Her and Dante, flirting on top of the piano I played every day.

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