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THE SECRET IN THE FRAME
THE SECRET IN THE FRAME

THE SECRET IN THE FRAME

8.7
/ 10
In the mafia novel THE SECRET IN THE FRAME, a woman witnesses a vulnerability Roman Hale never intended to show. Now his captive, she must hide their son’s existence while they unknowingly hunt the same kidnapper. Read this mystery story of power and secrets among new book releases.

Chapter 1 of THE SECRET IN THE FRAME

The deal was simple.

Wear the uniform. Carry the tray. Don't make eye contact with anyone who looked like they owned something.

$200 for six hours.

I needed that money more than I needed air.

The Ashford Grand Gala was the kind of event that made you angry just walking through the service entrance. Not because it was unfair - I was past feeling things like that. But because the flowers on one table cost more than what I owed Denko.

Denko.

Even thinking his name made my hands cold.

Fourteen thousand dollars.

That was the number. That was the thing sitting on my chest every morning when I woke up. My brother Eli had borrowed it from the wrong people eight months ago. Borrowed is the generous word. It was more like - Eli found himself in a room with men who don't do paperwork and walked out owing them his life.

Except now it was my life.

Because Eli was gone.

And they had found me.

Two weeks ago a man sat across from me in a diner and put a photograph on the table. My address. My work schedule. The route I walked home.

"Fourteen thousand," he said. "You have thirty days."

I had $400 in my account.

So yes.

I needed this $200.

I kept my head down and moved through the crowd with my tray and thought about nothing except getting to midnight.

---

It was 11:40 when the earpiece crackled.

"Someone left a phone in the Meridian Suite. Second floor, east wing, last door. Blue case. Go."

I went.

The hallway up there was empty and carpeted and so quiet after the noise downstairs that my ears rang.

I found the last door.

Pushed it open.

And stopped breathing.

---

Roman Hale was on the floor.

The Roman Hale.

I knew his face the way everyone knew his face - from the front pages, from the news, from the way people said his name like it was a warning.

Thirty-seven years old. Eleven billion dollars. The kind of man who bought companies the way other people bought groceries and dismantled them just to see what was inside.

He was sitting on the floor of an empty suite with his back against the wall and his knees pulled up and his face-

His face was destroyed.

Not figuratively. Literally. Jaw tight, eyes red and wet, one hand pressed flat against his chest like he was trying to hold something in by force.

In his other hand - a photograph. Old. Creased. Held so tight the edges were bent.

He hadn't heard me come in.

I watched him for one full second - long enough to see that this was real, that this was not a man performing grief but a man being taken apart by it - and then I stepped back.

My heel hit the door.

He looked up.

The change was instant.

The grief didn't disappear. It went behind something. Like a door slamming shut inside his face. His jaw set. His eyes locked onto mine. And they went from destroyed to dangerous so fast it made my stomach drop.

We stared at each other.

Me in my borrowed uniform with an earpiece in and a tray I had left somewhere downstairs.

Him on the floor of a room nobody was supposed to be in.

"I'm sorry," I said. "Wrong room."

I stepped back.

"Stop."

His voice.

God.

Even wrecked, his voice was the kind that expected to be obeyed.

I stopped.

"Close the door," he said.

I closed it.

From the inside.

Which meant I was now locked in a room with Roman Hale and the weight of whatever I had just seen, and the smart thing, the safe thing, was to turn around and open that door again and walk away fast.

I turned around.

He was standing now.

I hadn't heard him get up. He was just - up. Jacket still off. Tie still loose. Eyes dry but barely.

He was taller than the photos made him look.

"Who sent you up here?" he said.

"Nobody. A lost phone." I held his gaze. "I'll forget I was here."

Something shifted in his face. "You don't know what you saw."

"I saw a man sitting alone in a room." I said it flat. "That's all."

He looked at me for a long time.

Not the way men usually looked at me. Not sizing me up. More like - reading me. Like I was something he was trying to calculate and the numbers weren't adding up.

"Your name," he said.

"You don't need it."

His eyes sharpened. "Your name."

I picked up the photograph from where he'd set it on the side table when he stood.

I held it out to him without looking at it.

He took it.

Our fingers didn't touch but almost.

"Chloe," I said. "Chloe Banks."

Then I opened the door and walked out.

---

Downstairs I returned the tray. Collected my envelope at midnight. Walked to the service exit.

The cold air outside hit my face and I stood in it for a moment and breathed.

Fourteen thousand dollars.

Thirty days.

I started walking to the bus stop.

---

Behind me the black SUV pulled away from the Ashford.

I didn't see it.

But it didn't go to the main road.

It followed my bus route.

All the way home.

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